Isabel del Día

Fun Fact: Who had the bold idea to bring the cajón into the world of flamenco music?

The Cajón: From Peruvian Origins to Flamenco Icon
History

The cajón made its way into flamenco surprisingly recently—in the 1970s—thanks to the legendary guitarist Paco de Lucía. While visiting Peru, he was introduced to the instrument by percussionist Caitro Soto, who gave him a cajón. Inspired by its unique sound, Paco brought the cajón back to Spain, where it found a new home in the flamenco tradition. In Paco de Lucía’s famous sextet, it was the Brazilian percussionist Rubem Dantas who skillfully brought the cajón to life, blending its percussive rhythms seamlessly with flamenco’s passionate music.

Paco de Lucía sextet with Pepe de Lucía, Carles Benavent, Ramón de Algeciras, Jorge Pardo, Rubem Dantas
Paco de Lucía sextet with Pepe de Lucía, Carles Benavent, Ramón de Algeciras, Jorge Pardo, Rubem Dantas

The cajón is an instrument with a rich and somewhat somber history. The word “cajón” translates to “box” or “drawer” in Spanish. According to legend, 18th-century enslaved African people in Peru created the first cajón, drawing from their deep-rooted drum and percussion traditions. Spanish colonial authorities, fearing that musical gatherings could incite unrest, imposed a ban on traditional African drum music. Despite these restrictions, the spirit and rhythm of the people endured. They cleverly repurposed discarded packing crates from their work, transforming them into percussion instruments that could be easily disguised as simple seats or stools if authorities approached.

One of the first cajón players to become well known: Ciriaco Aguirre "El Cuyusco". He was born in 1860, in Piura, northern Perú.
One of the first cajón players to become well known: Ciriaco Aguirre "El Cuyusco". He was born in 1860, in Piura, northern Perú.

Today, the cajón is widely used by street performers and bands of all kinds. With its earthy tone, it provides a solid rhythmic foundation for guitarists and singers. Its portability and reliability, especially for acoustic performances where electric power is unavailable, have made the cajón one of the most popular instruments used today.

Pictured: Antonio Camuñez Andujar playing cajón with Lucas Carmona, Cheto Muñoz, and Pedro Gabarre El Popo.

You might wonder if it is hard to learn how to play the cajón. The answer depends on your experience level, musical background, and how deeply you wish to explore the instrument. Overall, the cajón is considered one of the most accessible percussion instruments, making it an excellent choice for beginners while still offering plenty of complexity for advanced musicians.

One of the reasons the cajón is so widely loved is its simplicity. It’s easy to pick up and play, requiring no specialized sticks, mallets, or hardware—just your hands. The cajón is essentially a wooden box that produces different sounds based on where and how it is struck. Hitting near the edge of the front panel creates a sharp, high-pitched sound similar to a snare drum, perfect for backbeats. Moving closer to the center produces deeper, bass-like tones, which can mimic a bass drum or toms, providing players with a versatile array of sounds to explore. This straightforward, elegant design is a major part of its appeal.

Yes, you can quickly grasp the basic techniques and start playing simple rhythms almost immediately. However, for those aiming to master the cajón, it offers plenty of depth, room to develop advanced techniques, and opportunities to explore various musical styles. The instrument is used across a wide range of genres, from flamenco and Afro-Peruvian music to pop, rock, and jazz. Each style demands different techniques and approaches, encouraging you to continuously expand your skills and adapt your playing to diverse musical settings.

The cajón has become such an essential instrument for flamenco composers and performers, it's now difficult to imagine a flamenco performance without the cajón. Check out this video of Israel Suárez el “Piraña” (also pictured above) who has played with Lenny Kravitz, Ricky Martin, Chick Corea, Paquito D’Rivera, and Wynton Marsalis. Piraña was also a member of the great Paco de Lucía’s band for over 10 years.

The cajón is now considered an integral part of flamenco. The cajón’s versatile sound—ranging from sharp slaps to deep, resonant bass tones—allows it to complement and support the complex footwork and intricate guitar playing that define flamenco. Ranging from subtle to explosive, the cajón helps drive the emotional intensity of flamenco performances, making it indispensable to the genre's dynamic sounds.

Isabel del Día

Artista. Mamá. Dreamer. Luchadora.